For Fiction Writers
- Writing the Breakout Novel by Donald Maass
- Techniques of the Selling Writer by Dwight V. Swain
- Stein on Writing by Sol Stein
- Self-Editing for Fiction Writers by Renni Browne and Dave King
- Writing and Selling the Christian Novel by Penelope J. Stokes
- The 38 Most Common Fiction Writing Mistakes: (And How to Avoid Them) by Jack M. Bickham
- The Plot Thickens: 8 Ways to Bring Fiction to Life by Noah Lukeman
- Writing Fiction: A Guide to Narrative Craft by Janet Burroway and Elizabeth Stuckey-French
- Christian Fiction Online Magazine
For All Writers
- Grammar Snobs Are Great Big Meanies: A Guide to Language for Fun and Spite by June Casagrande
- Christian Writer’s Market Guide by Sally Stuart
- Woe is I by Patricia O’Conner
- Eats, Shoots & Leaves by Lynne Truss
- Bird by Bird by Anne Lamott
- Publicize Your Book by Jacqueline Deval
- The Flip Dictionary by Barbara Ann Kipfer
- A Christian Writer’s Manual of Style by Bob Hudson & Shelley Townsend
- The Elements of Style by William Strunk and E.B. White
- On Writing Well by William Zinsser
- You Can Market Your Book by Carmen Leal
- The Art of the Book Proposal by Eric Maisel
- Sell Yourself Without Selling Your Soul by Susan Harrow
10 Near-Fatal Errors Writers Make (and how you can avoid them!)
by Wendy Lawton
10. The Everything-but Writer. You’d be surprised at many people hang around this writing community who know everything there is to know about writing, about marketing, about publishing, but never actually get themselves settled in their chair to write. They Facebook, they Twitter, they create queries and maybe even proposals, but they never manage to get down to the sometimes-drudgery of writing a whole book.
Antidote: Start eating the proverbial elephant, one bite at a time. Stop playing at being a writer and start producing.
9. The Assertive Writer. In this industry, it sometimes feels as if we need to rattle cages and demand some attention. Resist the urge. It’s dangerous to do anything that may earn you the label of “difficult.” It’s a small world and editors move around. Few things will damage your career quite so fast.
Antidote: Let your agent do the heavy lifting so you can remain unscathed.
8. The Know-It-All Writer. Nothing is as unattractive as a writer who is always right. This usually crops up during the editing process and can earn you a reputation faster than you can say syntax error.
Antidote: Pray that you’ll always keep a learner’s attitude. Getting a book published is a team effort. Value your team.
7. The Judgmental Writer. How many times have you heard a new writer denigrating the work of someone who helped blaze the trail? All too often. Under the guise of literary criticism, we often rip our colleagues to shreds. Some of those writers we criticize have hundreds of thousands of readers. We are also demeaning those readers. What does that buy us? There is nothing inherently better in one type of storytelling over another. Literary is not “better” than commercial fiction.
Antidote: Learn from the successful writers instead of disparaging them.
6. The Lone Ranger Writer. Some of the more timid writers among us would love to hole up in their writing cocoons and simple shut out the world. Unfortunately, in this day, that’s not possible. Publishers expect us to connect, to network and to partner with them on promotion.
Antidote: Even before you are published begin to connect with potential readers and potential colleagues.
5. The Writer/Artiste. Suffering from the “vapours” and “waiting on the Muse” went out with the Victorian dime novels. Writing is a career—a business. Yes, it is also an art, but as someone who’s made a living as a successful artist, I can assure you that you have to harness your creativity with discipline in order to produce.
Antidote: Practice discipline—the spiritual disciplines and the discipline of regular work habits. Don’t let emotions derail your God-given creativity.
4. The Jack-of-All Trades Writer. Don’t be the writer who resists being “branded.” How many times have I heard, “I write it all—fiction, nonfiction, Children’s picture books and poetry.” I could write a whole book on this. Think of yourself as a river. Which do you think makes the biggest impact: a wide, meandering, shallow stream; or a deep, narrow, swift-moving river?
3. The Bottom-Line Writer. If it’s all about the bottom line, you’re in the wrong business. I’m not saying that you can’t have a financially successful career as a writer but it’s much like choosing to be an actor. It’s tough in the early years to get steady employment and it’s always a buyers’ market. You’ve heard the advice, “Don’t quit your day job.” It’s true. It takes a number of years to work up to a good steady income. The pressure of trying to make an unrealistic income will compromise your art.
Antidote: Check your expectations against reality. And don’t quit your day job too soon.
2. The Head-in-the-Sand Writer. Every career move has potential pitfalls. Each contract has the potential for failure built in. A writer needs to be aware that if his sales numbers are low, he’s going to have a harder time making each subsequent sale.
Antidote: Your agent will weigh the pros and cons of every career decision carefully, trying to insure success on a project-by-project basis. Be aware.
1. The Impatient Writer. This industry moves at a snail’s pace and it seems to get slower every year. There’s very little that can be done to speed it up—everyone is overworked and understaffed. If a writer tries to push, he’ll very likely push himself off the desk and into the round file.
Antidote: Wait on the Lord. Practice patience. There’s no way to speed things up so there’s no sense of beating one’s head against the wall needlessly.